211 research outputs found

    On the Possible Transformation and Vanishment of Epistemic Objects

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    When considering the question of possible transformation and disappearance of scientific objects, it is useful to distinguish between epistemic and technical objects. This paper presents preliminary observations and offers a typology of obsolescence. It is based on several case studies drawn from the history of life sciences. The paper proceeds as follows: first, the dynamics of epistemic objects is considered through the examples of Carl Correns’ study of “xenia”, Alfred Kühn’s work on physiological developmental genetics, and Paul Zamecnik’s research on the protein biosynthesis. Second, the phasing out of technical objects is then separately discussed and illustrated by the example of radioactive tracing in biology – until recently, an established technique of visualization

    Gaston Bachelard y las manos de Albert Flocon

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    The paper deals with the engraving hand of Albert Flocon and its poietic description by the pen of Gaston Bachelard. It proceeds by discussing examples of the group of collaborative works that emerged from the cooperation between Flocon, the copperplate engraver and theoretician of perspective and Bachelard, the philosopher of science and scholar of literary images in mid-twentieth century Paris.Este artículo se ocupa del grabado de mano de Albert Flocon y la descripción poiética que realiza la pluma de Gaston Bachelard. Se procede a discutir los ejemplos del conjunto de trabajos que surgieron de la cooperación entre Flocon y Bachelard; el grabador en cobre y teórico de la perspectiva, y el filósofo de la ciencia y estudioso de imágenes literarias de la segunda mitad del siglo XX de París

    Won't you please unite? Darwinism, cultural evolution and kinds of synthesis

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    Kronfeldner M. Won't you please unite? Darwinism, cultural evolution and kinds of synthesis. In: Barahona A, Suarez-Díaz E, Rheinberger H-J, eds. The Hereditary Hourglass: Genetics and Epigenetics, 1868-2000. Preprint. Vol 392. Berlin: Max Planck Insititute for the History of Science; 2010: 111-125.The synthetic theory of evolution has gone stale and an expanding or (re-)widening of it towards a new synthesis has been announced. This time, development and culture are supposed to join the synthesis bandwagon. In this article, I distinguish between four kinds of synthesis that are involved when we extend the evolutionary synthesis towards culture: the integration of fields, the heuristic generation of interfields, the expansion of validity, and the creation of a common frame of discourse or ‘big-picture’. These kinds of synthesis are connected to epistemic values that are used to evaluate theories as well as analogies. A review of these epistemic values and the kinds of synthesis connected to them shall illustrate two points. First, that the discussions about culture and evolution exhibit an epistemic bias towards synthesis, even if, as history shows, synthesis and well as isolation can be fruitful epistemic strategies in science. The paper thus contains some critical notes on the value of synthesis in science. Second, reviewing the kinds of synthesis and values involved allows for a new perspective on the analogies involved in theories of cultural evolution. It is a perspective that makes the criteria with which these theories are usually evaluated explicit. With this we can compare the different standpoints people have taken on the usefulness of theories of cultural evolution at a higher level. Differences arise because of different epistemic values assumed

    Knowledge practices in design: The role of visual representations as 'epistemic objects'

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    We use a detailed study of the knowledge work around visual representations to draw attention to the multidimensional nature of `objects'. Objects are variously described in the literatures as relatively stable or in flux; as abstract or concrete; and as used within or across practices. We clarify these dimensions, drawing on and extending the literature on boundary objects, and connecting it with work on epistemic and technical objects. In particular, we highlight the epistemic role of objects, using our observations of knowledge work on an architectural design project to show how, in this setting, visual representations are characterized by a `lack' or incompleteness that precipitates unfolding. The conceptual design of a building involves a wide range of technical, social and aesthetic forms of knowledge that need to be developed and aligned. We explore how visual representations are used, and how these are meaningful to different stakeholders, eliciting their distinct contributions. As the project evolves and the drawings change, new issues and needs for knowledge work arise. These objects have an `unfolding ontology' and are constantly in flux, rather than fully formed. We discuss the implications for wider understandings of objects in organizations and for how knowledge work is achieved in practice

    Empfehlungen zur Zukunft des wissenschaftlichen Publikationssystems

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    Ash M, Carrier M, Dössel O, et al. Empfehlungen zur Zukunft des wissenschaftlichen Publikationssystems. Berlin: Berlin-Brandenburgische Akademie der Wissenschaften; 2015

    Cycles and circulation: a theme in the history of biology and medicine

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    Funder: National Science Foundation; doi: http://dx.doi.org/10.13039/100000001Funder: History and Philosophy of the Life SciencesAbstract: We invite systematic consideration of the metaphors of cycles and circulation as a long-term theme in the history of the life and environmental sciences and medicine. Ubiquitous in ancient religious and philosophical traditions, especially in representing the seasons and the motions of celestial bodies, circles once symbolized perfection. Over the centuries cyclic images in western medicine, natural philosophy, natural history and eventually biology gained independence from cosmology and theology and came to depend less on strictly circular forms. As potent ‘canonical icons’, cycles also interacted with representations of linear and irreversible change, including arrows, arcs, scales, series and trees, as in theories of the Earth and of evolution. In modern times life cycles and reproductive cycles have often been held to characterize life, in some cases especially female life, while human efforts selectively to foster and disrupt these cycles have harnessed their productivity in medicine and agriculture. But strong cyclic metaphors have continued to link physiology and climatology, medicine and economics, and biology and manufacturing, notably through the relations between land, food and population. From the grand nineteenth-century transformations of matter to systems ecology, the circulation of molecules through organic and inorganic compartments has posed the problem of maintaining identity in the face of flux and highlights the seductive ability of cyclic schemes to imply closure where no original state was in fact restored. More concerted attention to cycles and circulation will enrich analyses of the power of metaphors to naturalize understandings of life and their shaping by practical interests and political imaginations
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